|
There was a lot of comment in 1996 about Alison Kraus' achievements in the popularity ratings, discussion of the reasons for it and wondering how 'we' can do the same. But there is one important factor that is overlooked. Arguably it is Alison Kraus who has achieved so-called 'breakout' or 'escape velocity', not "Alison-Kraus-and-Union-Station-playing-bluegrass-music". To us, the 'True Blue' Grass fans, it's the whole deal that matters. But Joe Public, who packs out the halls, is in love with 'The Sweet Little Alison Kraus'. To them 'Union Station' may be little more than a necessary, if largely inconsequential, high-standard backing band. Interestingly, the thesaurus in Word 6 suggested 'agreeable sound' as a synonym for 'Alison'!
Alison Kraus & Union Station certainly can present cracking bluegrass,
but Alison herself would be popular whatever she was doing - the material
is probably largely irrelevant. She looks right, acts right and sings right.
In fact she has achieved wide fame through issuing records of music acceptable
to an audience receptive to country-style music. The disks led to awards,
recognition and popularity. This was possible because of the large, established
Country music base in clubs and pubs. She also includes sophisticated
folk-ballad-style pieces that have general appeal.
However if, like us (and this is often the case) you're the usual rag-bag,
ugly, unprofessional, disorganised, badly presented, unsophisticated UK band
that loves what it's doing, then stick with it. Forget the pipe dream. Run
sessions, clubs and festivals and play at them, bring more people into the
fold and continue enjoying yourself and your bluegrass, bringing joy and
happiness to many others in the process.
Editors note: If you read this article carefully you will
see that it actually praises AK ; |