(Hardly) Strictly Bluegrass Festival
III
Part 2 of 2: The Sunday Concerts
3 Days of Concerts in Golden Gate Park, San Francisco 3-5 Oct
2003
Bookmark this article
|
Click for part 1 of this article (Friday and Saturday concerts) All photos © 2003 Derek Brandon. Strictly Bluegrass 2001 2002 2003 The Sunday Concerts Sunday dawned a much nicer day than Saturday. Sunny with blue sky, it promised to be very hot later, so a very early start led to an excellent placement for our blanket.
One can't be in two places at once and my favourites Dry Branch Fire Squad were on the Blue Stage. Their line-up now was all male - no Suzanne Thomas or Mary-Jo Leet, unfortunately. But Ron Thomason (mandolin) is still the voice and heart of this band and a favourite of Warren Hellman's. Ron is a natural comedian and story-teller, illustrating songs with great intros, like the one about John Henry.
He explained that John Henry was really a Pipe-Laying man but that didn't have the same ring to it as Steel-Driving Man so it was changed! He then played the tune as an instrumental with good driving guitar and simple, very effective, walking bass runs. He was playing a lovely, great-sounding, old Martin D18 Herringbone, which he said had belonged to Tex Ritter's son. I like this kind of performance, where the humour is integral to the material and not a series of disconnected jokes. But Ron had some great asides, such as "John Duffey from Seldom Scene taught me that harass was all one word," "He wouldn't have been a TV Evangelist if he didn't believe in God!" and "Not all the music in the world is Bluegrass music," (gasps of shock greeted that one). A lot of the humour was locally political and I guess I didn't get it every time.
Back at the main stage the Compére was, once again, our main man Paul Mann in his usual Hawaiian shirt (photo, right), who does a great job. He introduced Jerry and Tammy Sullivan, who did a gospel set which Derek pronounced "brilliant!" I arrived in time to catch the last song, Workin' On A Building - Tammy Sullivan has a powerful voice which she used to great effect on this one.
To avoid a repetition of Saturday's six-deep crowd at the front of the stage, on Sunday they banned people from standing in front at all. This was good for the people who were sat down but not so good for Derek; every time he went to the front to get good photos he was accosted by security, until the supervisor got it sorted.
Hazel Dickens was, as in previous years, a highlight of the main stage, supported by Dudley Connell (guitar). Her set included Bless Your Heart (written about Lynne Morris and Marshall Wilbourne when they met), and Last Train from Poor Valley (sung by Dudley Connell). So powerful is Hazel's voice, I'm surprised beer bottles were allowed on the site in case she cracked them!
Hot Rize Hot Rize played once again, same line-up as 2002 (read report) - Tim O'Brien (mandolin/lead vocals), Nick Forester (bass/harmony vocals), Brian Sutton (guitar) and Pete Wernick (banjo/vocals). Hot, Hot Stuff and a great variety of material. Big Sandy River featured Bryan Sutton (Bluegrass Guitarist of the Year) who can really pick that thing! Tim did a good job on Pete 'Dr.Banjo' Wernick's Just Like You, with mellow, mellow vocals. Then Your Light Leads Me On, a gospel number written by Pete Wernick, and lots of good stuff! Hot Rize are so together (as they should be - they've been playing together for years). Next came Doc Boggs' Good People - a really good Old Timey lonesome song sung in the idiom with Nick on clawhammer banjo.
The concert continued with Dale Anne Bradley and Coon Creek with
Dale Anne Bradley (guitar/lead vocals), Vicky Simmons (bass guitar/vocals),
Bram Lever (banjo,
replacing Tom Adams in
2002) and Michael Cleveland (fiddle/mandolin). Amongst the
Willie Nelson
(right) Next came what I had been waiting for all afternoon - The 'Willie Nelson Family' Show, with Willie Nelson (vocals and guitar), Bobby Nelson (piano), (bass), (percussion) and -(steel guitar). They opened with Whiskey River and Stay a Little Longer. Willie had on his trademark red bandanna and pigtails, plus a Stetson which he threw into the crowd. They went wild! Bluegrass it ain't but it's great entertainment and he's a real old pro'. He sang all his best songs including Crazy, It's Funny How Time Slips Away, It's My Life, If You've got The Money Honey, Blue Eyes Crying In The Rain, Help Me Make It Through The Night, Good Hearted Woman In Love With A Good Timing Man. Sister Bobbie played Down Yonder on the full-size Grand Piano! Willie also plays mean lead guitar, as he demonstrated on Under The Double Eagle.
More of the great songs followed, such as Momma, Don't Let Your Babies Grow Up To Be Cowboys, Angel Flying Too Close To The Ground, You Were Always On My Mind and great versions of Georgia and All Of Me. Willie finished off with a rocking version of Pancho Was A Bandit then took off his red, sweat-drenched bandanna and threw it into the crowd, which went crazy, of course! What a great show!
It was getting on for 6-30 p.m. and we still had Emmylou Harris to look forward to. She came on looking gorgeous, as usual. We were travelling by bus so would have to leave before the end to beat the crowd (by now put at 20,000 people according to the organisers but 40,000 by the police!) and avoid getting crushed in the stampede for the exit. We heard Orphan Girl, The Lord's Burning Rain, Two More Bottles Of Wine and a couple of the dark, mournful ballads that Emmylou does so well. She also did a superb version of Calling My Children Home, with great supporting harmonies from her backing musicians Buddy Miller (guitar), Tony Hall, Bass and Brian Blade, Drums.
What a fantastic weekend! See you 2004, Warren!
Jean Brandon, Chester, England Editors comment: I don't normally allow direct speech in articles but just this once I'll make an exception - the people mentioned really deserve it. Click for more photos 1 | more photos 2 | Strictly Bluegrass 2002 | 2001
|