(Hardly) Strictly Bluegrass Festival
III
3 Days of Concerts in Golden Gate Park, San Francisco 3-5 Oct
2003
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All photos © 2003 Derek Brandon. Strictly Bluegrass
2001
2002
This was our 3rd visit to these wonderful events, providing a wonderful
climax to the best and hottest British summer for many years. We were to
arrive in San Francisco 3rd October in time to get over the jet lag, so called
our daughter in the City:
A tribute to Woody Guthrie for students & general public, with The Peasall Sisters and the touring tribute to Woody Guthrie: the Ribbon of Highway/Endless Skyway Tour Festival organiser and benefactor Warren Hellman had decided to lay on a special Field Trip for the school children of San Francisco, and most City schools had their history lesson here this afternoon. It took the form of a special Tribute to Woody Guthrie and was opened up by the Peasall Sisters (with daddy on bass) who seem to be going from strength to strength. As last year, the girls were appropriately dressed, but this year in heavy jackets and woolly hats to combat the windy, dull and very cold weather, perhaps helped by the high-power fan heaters each side of the stage. Regrettably we arrived only just in time to catch their last song... and no photo. Woody's own story was narrated by Bob Childers and illustrated and interspersed with Woody's own songs. These included This Train Was Bound For Glory, There Ain't No Body Can Sing Like Me, Pretty Boy Floyd, The Outlaw, 66 Highway, Dustbowl Refugees, Vigilante Man, I Ain't Got No Home In This World Anymore, Hear The Curfew Blow, It's A Hard World Dead Or Alive, and Worried Man Blues. The musicians included Jimmy LaFave, Joel Rafael, Eliza Gilkyson, Kevin Welch and Michael Fracasso.
Warren (left) thanks the Woody Guthrie performers
"Oh boy, It's cold!" Not a song title, just my comment on the weather
which couldn't be more different than last year. Speedway Meadow looked a
bit grey and eerie with wisps of fog hanging in the trees but this didn't
dampen the enthusiasm of the performers or the kids (and their teachers)
who joined in the final song This Land Is Your Land,
It was all thanks to Warren Hellman, who also arranged (and provided for free) the seemingly endless line of 'deluxe' tour bus transport for them to and from their schools. One teacher told me, "We longer had field trips due to lack of funds so this is their school outing for the year. Who is paying for all this?" I pointed out Warren and off she went like a shot to thank him. Some Saturday concerts (7 hours) Saturday started off cool and overcast. Initially there seemed to be fewer people than last year on the meadow but as the day wore on the weather improved and the crowd increased.
Our VIP passes were late arriving but Marion was organising everything in her usual super efficient style. So we had an excellent FOC cappuccino in the enclosure, listening to San Francisco band The Crooked Jades (including a clogger!) kicking off the concert in fine style with a good mix of material. Amongst their offerings were Shady Grove, a couple of Gospel Songs and some Sea Shanties, including a lovely version of Shallo Brown.
The next act was Alison Brown, who explained that she used to be an Investment Banker but is now a Banjo Player, whereas Warren used to play the banjo and is now an Investment Banker! (There's got to be a "What's the difference?"-type joke in there somewhere...) The Alison Brown band is superb but the music is not to my taste, being more BlueJazz than BlueGrass. They even have a piano for goodness sake! This definitely belonged to the 'Hardly Bluegrass' bit of the festival. Gillian Welch & David Rawlings
By this time the sun was out, the air was warm and the music superb! My view of Gillian was obscured by a tall potted bamboo on the stage (planners take note!), but the sound was perfect! Her songs included No One in The World Knows My Name and I Wanna Sing That Rock And Roll and some gospel songs with powerful harmonies by David. A song by Doc Watson and finished with (as Gillian put it herself) "A good killing song 'cos we think you're starting to enjoy yourselves!" Photo below: In the freezing mist from the nearby Pacific Ocean
Dave Alvin & The Guilty Men played old songs in a new Western Rock style. They did a great version of Woody Guthrie's Do-Ray-Me in which the electric piano rocked into space! And Marie Marie was loud, loud, loud. All real Honky-Tonk Rock and Roll!
The FOB 4
The brilliant Tim O'Brien Band on the Main Stage About now the mist cleared, the sun came out, stayed out and the crowd doubled. Ricky Skaggs and Kentucky Thunder
This red-hot band slammed off with a rip-roaring Black-eyed Suzy followed by How Mountain Girls Can Love in overdrive. Ricky Skaggs, one of the best high lonesome bluegrass voices, has a real way with songs, particularly the few slow ballads with Kentucky Thunder providing fabulous harmonies. Other offerings included I'm Riding On That Midnight Train, Rank Strangers, I Live A Simple Life and self-penned mandolin tune Crossville (with great flat-picking on the guitar from Cody Kilby). Jim Mills is typical of good banjo players: he chews his way through all his solo breaks! They finished to a standing ovation with Pig In A Pen, followed by a Shady Grove encore. This was all high octane stuff, mostly high speed,with great harmonies and superb vocals.
Over at the Blue Stage we saw Joe Ely (right) - a good Country singer, playing slide steel guitar. In fact all the performers seemed to be very professional, class acts. Back at the Main Stage Warren, introducing Steve Earl, quipped, "It should be the other way round - every one had heard of Steve but no one had heard of me!" [I'll fix that - Ed.] Steve Earl & The Bluegrass Dukes were Steve Earl (guitar/lead vocals), Tim O'Brien (mandolin/vocals), Dennis Crouch (bass), Daryl Scott (banjo) and Casey Dreeson (fiddle). Steve Earl gave a solid account of himself with a good Bluegrass sound and content to his performance plus excellent backing from The Dukes. By the time they played their final number, Nothing Brings You Down Like Your Home Town, people were standing 6-deep at the front of the stage and we couldn't see a thing.
Saturday Night Party at Slim's Night Club Saturday Night saw the Performers & VIPs party at Slim's in the City. The facilities and reception were exactly as last year - they couldn't be better - and lots of people were amazed at who they shared tables with! There were several star-studded jam sessions, but Bluegrass quartet True Blue, with Del Williams (guitar/lead vocals), Avram Seagal (banjo/baritone vocals), Ed Neff (mandolin/tenor vocals) and Alison Fisher (acoustic bass), opened the evening. A good old-fashioned real Bluegrass band with a great sound (CD Review). They looked the part too, with the men in suits and the bass player in a pretty dress. They treated us to some superb trio singing with a spine-tingling high, lonesome sound. Though stalwarts of the Bluegrass scene for many years it's the first time I've heard True Blue and it definitely will not be the last! Hazel Dickens stood nearby, listening intently and obviously delighted! Derek (your Editor) was shouting "Don't you dare get off that stage!"
The Lynne Morris Band performed without Lynne, who was resting side-stage. Her husband Marshall Willbourne assured us that she's improving steadily after her serious stroke. The line up was Dudley Connell (vocals/guitar), Jesse Brock (mandolin), Marshall Willbourne (bass), Ron Stewart (banjo/fiddle) with Michael Cleveland (fiddle) guesting. The ensemble worked well and Dudley was in fine voice. Marshall also has a great way with a song as he demonstrated on The Engineers Don't Wave From The Trains Anymore. The banjo player is no slouch either as he proved with the red-hot Bluegrass tune Adams County Breakdown. The evening wouldn't have been complete for Warren without Hazel Dickens, who closed the concert - see 2002 report for general comments.
Hazel Dickens with Duddley Connel (right) It was an wonderful evening all round with the music, food drink and rubbing shoulders with the people who had entertained us during the day. My friend Gayle Schmidt was thrilled to be able to sit, eat and chat with Gillian Welch and David Rawlings. Despite the 'open bar' the evening finished around midnight as I guess most people (including us) wanted to be up bright-eyed and bushy-tailed for the Sunday concerts... The Sunday Concerts Sunday dawned a much nicer day than Saturday. Sunny with blue sky, it promised to be very hot later, so a very early start led to an excellent placement for our blanket.
One can't be in two places at once and my favourites Dry Branch Fire Squad were on the Blue Stage. Their line-up now was all male - no Suzanne Thomas or Mary-Jo Leet, unfortunately. But Ron Thomason (mandolin) is still the voice and heart of this band and a favourite of Warren Hellman's. Ron is a natural comedian and story-teller, illustrating songs with great intros, like the one about John Henry.
He explained that John Henry was really a Pipe-Laying man but that didn't have the same ring to it as Steel-Driving Man so it was changed! He then played the tune as an instrumental with good driving guitar and simple, very effective, walking bass runs. He was playing a lovely, great-sounding, old Martin D18 Herringbone, which he said had belonged to Tex Ritter's son. I like this kind of performance, where the humour is integral to the material and not a series of disconnected jokes. But Ron had some great asides, such as "John Duffey from Seldom Scene taught me that harass was all one word," "He wouldn't have been a TV Evangelist if he didn't believe in God!" and "Not all the music in the world is Bluegrass music," (gasps of shock greeted that one). A lot of the humour was locally political and I guess I didn't get it every time.
Back at the main stage the Compére was, once again, our main man Paul Mann in his usual Hawaiian shirt (photo, right), who does a great job. He introduced Jerry and Tammy Sullivan, who did a gospel set which Derek pronounced "brilliant!" I arrived in time to catch the last song, Workin' On A Building - Tammy Sullivan has a powerful voice which she used to great effect on this one.
To avoid a repetition of Saturday's six-deep crowd at the front of the stage, on Sunday they banned people from standing in front at all. This was good for the people who were sat down but not so good for Derek; every time he went to the front to get good photos he was accosted by security, until the supervisor got it sorted.
Hazel Dickens was, as in previous years, a highlight of the main stage, supported by Dudley Connell (guitar). Her set included Bless Your Heart (written about Lynne Morris and Marshall Wilbourne when they met), and Last Train from Poor Valley (sung by Dudley Connell). So powerful is Hazel's voice, I'm surprised beer bottles were allowed on the site in case she cracked them!
Hot Rize Hot Rize played once again, same line-up as 2002 (read report) - Tim O'Brien (mandolin/lead vocals), Nick Forester (bass/harmony vocals), Brian Sutton (guitar) and Pete Wernick (banjo/vocals). Hot, Hot Stuff and a great variety of material. Big Sandy River featured Bryan Sutton (Bluegrass Guitarist of the Year) who can really pick that thing! Tim did a good job on Pete 'Dr.Banjo' Wernick's Just Like You, with mellow, mellow vocals. Then Your Light Leads Me On, a gospel number written by Pete Wernick, and lots of good stuff! Hot Rize are so together (as they should be - they've been playing together for years). Next came Doc Boggs' Good People - a really good Old Timey lonesome song sung in the idiom with Nick on clawhammer banjo.
The concert continued with Dale Anne Bradley and Coon Creek with
Dale Anne Bradley (guitar/lead vocals), Vicky Simmons (bass guitar/vocals),
Bram Lever (banjo,
replacing Tom Adams in
2002) and Michael Cleveland (fiddle/mandolin). Amongst the
Willie Nelson
(right) Next came what I had been waiting for all afternoon - The 'Willie Nelson Family' Show, with Willie Nelson (vocals and guitar), Bobby Nelson (piano), (bass), (percussion) and -(steel guitar). They opened with Whiskey River and Stay a Little Longer. Willie had on his trademark red bandanna and pigtails, plus a Stetson which he threw into the crowd. They went wild! Bluegrass it ain't but it's great entertainment and he's a real old pro'. He sang all his best songs including Crazy, It's Funny How Time Slips Away, It's My Life, If You've got The Money Honey, Blue Eyes Crying In The Rain, Help Me Make It Through The Night, Good Hearted Woman In Love With A Good Timing Man. Sister Bobbie played Down Yonder on the full-size Grand Piano! Willie also plays mean lead guitar, as he demonstrated on Under The Double Eagle.
More of the great songs followed, such as Momma, Don't Let Your Babies Grow Up To Be Cowboys, Angel Flying Too Close To The Ground, You Were Always On My Mind and great versions of Georgia and All Of Me. Willie finished off with a rocking version of Pancho Was A Bandit then took off his red, sweat-drenched bandanna and threw it into the crowd, which went crazy, of course! What a great show!
It was getting on for 6-30 p.m. and we still had Emmylou Harris to look forward to. She came on looking gorgeous, as usual. We were travelling by bus so would have to leave before the end to beat the crowd (by now put at 20,000 people according to the organisers but 40,000 by the police!) and avoid getting crushed in the stampede for the exit. We heard Orphan Girl, The Lord's Burning Rain, Two More Bottles Of Wine and a couple of the dark, mournful ballads that Emmylou does so well. She also did a superb version of Calling My Children Home-, with great supporting harmonies from her backing musicians Buddy Miller (guitar) plus drums and another guitar (names?)
What a fantastic weekend! What a fantastic host! See you 2004, Warren! Jean Brandon, Chester, England e-mail Editors comment: I don't normally allow direct speech in articles but just this once I'll make an exception - the people mentioned really deserve it. Click for more photos 1 | more photos 2 | Strictly Bluegrass 2002 | 2001 |